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摘要：简爱读后感英文参考简爱读后感英文一：简爱读后感英文Thisisastoryaboutaspecialandunreservedwomanwhohasbeenexposedtoahostileenvironmentbutcontinuouslyandfearlesslystrugglingforherideallife.Thestorycanbeinterpretedasasymbolofthein
简爱读后感英文
参考简爱读后感英文一：
简爱读后感英文
This is a story about a special and unreserved woman who has been exposed to a hostile environment but continuously and fearlessly struggling for her ideal life. The story can be interpreted as a symbol of the independent spirit.
It seems to me that many readers’ English reading experience starts with Jane Eyer. I am of no exception. As we refer to the movie “Jane Eyer”， it is not surprising to find some differences because of its being filmized and retold in a new way， but the spirit of the novel remains—-to be an independent person， both physically and mentally.
Jane Eyer was a born resister， whose parents went off when she was very young， and her aunt，the only relative she had，treated her as badly as a ragtag. Since Jane’s education in Lowwood Orphanage began， she didn’t get what she had been expecting――simply being regarded as a mon person， just the same as any other girl around. The suffers from being humiliated and devastated teach Jane to be persevering and prize dignity over anything else.As a reward of revolting the ruthless oppression， Jane got a chance to be a tutor in Thornfield Garden. There she made the acquaintance of lovely Adele and that garden’s owner， Rochester， a man with warm heart despite a cold face outside. Jane expected to change the life from then on， but fate had decided otherwise: After Jane and Rochester fell in love with each other and got down to get marry， she unfortunately came to know in fact Rochester had got a legal wife， who seemed to be the shadow following Rochester and led to his moodiness all the time —-Roche
ster was also a despairing person in need of salvation. Jane did want to give him a hand， however， she made up her mind to leave， because she didn’t want to betray her own principles， because she was Jane Eyer. The film has finally got a symbolist end: Jane inherited a large number of legacies and finally returned. After finding Rochester’s misfortune brought by his original mad wife， Jane chose to stay with him forever.
I don’t know what others feel， but frankly speaking， I would rather regard the section that Jane began her teaching job in Thornfield as the film’s end—-especially when I heard Jane’s words “Never in my life have I been awaken so happily.” For one thing， this ideal and brand-new beginning of life was what Jane had been imagining for long as a suffering person; for another， this should be what the audiences with my views hoped her to get. But the professional judgment of producing films reminded me to wait for a totally different result: There must be something wrong ing with the excellence—-perhaps not only should another section be added to enrich the story， but also we may see from the next transition of Jane’s life that “Life is like a box of chocolates， you never know what you would get.” (By Forrest Gump’s mother， in the film “Forrest Gump”)
What’s more， this film didn’t end when Jane left Thornfield. For Jane Eyer herself， there should always be somewhere to realize her great ideal of being independent considering her fortitude， but for Rochester， how he can get salvation? The film gives the answer tentatively: Jane eventually got back to Rochester. In fact， when Jane met Rochester for the first time， she scared his horse and made his heel strained， to a certain extent， which meant Rochester would get retrieval because of Jane. We can consider Rochester’s experiences as that of religion meaning. The fire by his frantic wife was the punishment for the cynici ... early in his life. After it， Rochester got the mercy of the God and the love of the woman whom he loved. Here we can say: human nature and divinity get united perfectly in order to let such a story accord with the requirements of both two sides. The value of this film may be due to its efforts to explore a new way for the development of humani ... under the faith of religion.
Life is ceaselessly changing， but our living principles remain. Firmly persisting for the rights of being independent gives us enough confidence and courage， which is like the beacon over the capriccioso sea of life. In the world of the film， we have found the stories of ourselves， which makes us so concerned about the fate of the dramatis personae.
In this era of rapid social and technological change leading to increasing life plexity and psychological displacement， both physical and mental effects on us call for a balance. We are likely to find ourselves bogged down in the Sargasso Sea of information overload and living unconsciousness. It’s our spirit that makes the life meaningful.
Heart is the engine of body， brain is the resource of thought， and great films are the mirrors of life. Indubitably， “Jane Eyer” is one of them.(学习座右铭)
参考简爱读后感英文二：
简爱读后感英文
The novel is rich in poetry， symboli ... and metaphor. It does not fit easily into a definite pattern， being neither a novel of “manners” in the tradition of Austen， or a straightforward Gothic Romance in the style of Mrs Radcliffe. What Charlotte Bronte did was to create a work which cleverly blends elements of the two styles， and which remains uniquely independent of them at the same time， since it addresses issues which were at the time rather controversial.
The novel is written in the first person， and thus magnifies the central character – the reader enters the world of Jane Eyre and is transported through her experiences at first hand. This at once makes the work subjective， especially since we know that Charlottes Brontes own life and experiences were so closely interwoven with the ... e's. As well as this we learn only at the end of the novel that the events are being related to us ten years after the reconciliation with Rochester – thus the narrative is RETROSPECTIVE （looking back）。 CB is clever in blending the narrative so that at times Jane seems to be speaking as an ... with ... hindsight ， while at others she she is “in the middle” of them， as a child or young woman. The indecision which is a central issue in the book， is heightened by this device. We never know， as readers， whether to be entirely trustful of Janes actions and thoughts， because we are never sure wheher she is speaking impulsively or maturely.
This intensifies the readers dilemma as to what is “right” and “wrong” in the dramatic relationships which are part of JE's life. Can we believe what the ... e says， or is she deceiving herself? The novel is primarily a love story and a “romance” where wishes e true but only after trials and suffering. The supernatural has its place， as do dreams， portents and prophesies. The ... e begins poor and lonely and ends up rich and loved; the orphan finds a good family to replace the wicked one; all the basic ingredients of classic romantic fairytale are present.
The romantic element is present in two forms in Jane Eyre; the “family” aspect is dealt with in the Gateshead， Lowood and Moor House episodes， which involve the exchanging of the wicked Reed family for the benevolent Rivers one; and the Love romance is dealt with in the Thornfield and Ferndean episodes. Both aspects are， of course linked and interwoven throughout the novel.
There is also a strong element of reali ... in the novel， which， married to the romantic aspect， enhances the novel's strength.The sense of place is very strong; we are able to experience both exterior and interior settings with startling clarity throughout the story， in a series of vivid deive passages. The central characters are also realistic and their confrontations and sufferings change them in a believable way.
Even the unlikely is made plausible， with a unique blend of high drama and perceptive low edy （the attack on Mason， for instance）
The more fantastic romantic aspects; the coincidences; the secrets; the supernatural occurrences， are balanced by the reali ... ， and this is of course a major strength.
The Gothic influence cannot be ignored， although CB has refined the technique considerably from the “authentic” Gothic of the 1790's. In the original genre， the ... e would typically be abducted and threatened with seduction， or worse!. There would be a lover – a respectable， well-bred young man – who would endeavor to rescue the ... e and would succeed after many trial. the seducer would be a brigand “Know that I adore Corsairs!” and he would lock the girl up in a remote castle.(莎士比亚名言)
There was little freedom for middle class women during the period of the Gothic novel， and this was still the case in the time of CB. Marriage especially was often a bargain， whereby fortunes were secured by using the female as a pawn. A woman's value largely depended therefore on her sexual purity and she was guarded and secured as a result. Men， on the contrary， were potent and free; lovers and mistresses were mon. Ironically the women who provided their services were social outcasts as a result.
In Jane Eyre we see elements of the Gothic romance， in that Thornfield Hall and Rochester are described very much in the brigand/castle style BUT Jane Eyre is not abducted by R. On the contrary she chooses to go there of her own free will. AND she is clear in her determination to have Rochester as a hu ... and. Neither is there a gentleman rescuer; St John Rivers may look like a Greek God， but he is neither kind nor benevolent; driving Jane back to Ferndean， not rescuing her from it.
The trials which the hero is supposed to undergo in a Gothic romance are in fact undergone by the ... e in Jane Eyre. The bandit Rochester is only skin-deep. Underneath the brooding exterior is a sensitive soul， which a WOMAN frees. In this way we see that CB created rather a daring departure from conventional fiction， although there are still many aspects of the novel which remain true to Victorian convention.!
参考简爱读后感英文三：
简爱读后感英文
Jane Eyre — A Beautiful Soul
Jane Eyre， is a poor but aspiring， ... all in body but huge in soul， obscure but self-respecting girl. After we close the covers of the book， after having a long journey of the spirit， Jane Eyre， a marvelous figure， has left us so much to recall and to think:
We remember her goodness: for someone who lost arms and blinded in eyes， for someone who despised her for her ordinariness， and even for someone who had hurt her deeply in the past.
We remember her pursuit of justice. It's like a panion with the goodness. But still， a virtuous person should promote the goodness on one side and must check the badness on the other side.
We remember her self-respect and the clear situation on equality. In her opinion， everyone is the same at the God's feet. Though there are differences in status、in property and also in appearance， but all the human being are equal in personality.(党员个人总结)
We also remember her striving for life， her toughness and her confidence…
When we think of this girl， what she gave us was not a pretty face or a transcendent temperament that make us admire deeply， but a huge charm of her personality.
Actually， she wasn't pretty， and of course， the ordinary appearance didn't make others feel good of her， even her own aunt felt disgusted with it. And some others even thought that she was easy to look down on and to tease， so when Miss Ingram met Jane Eyre， she seemed quite contemptuous， for that she was obviously much more prettier than 'the plain and ugly governess‘。 But as the little governess had said: 'Do you think， because I am poor， obscure， plain， and little， I am soulless and heartless? You think wrong!' This is the idea of equality in Jane Eyre's mind. God hadn't given her beauty and wealth， but instead， God gave her a kind mind and a thinking brain. Her idea of equality and self-respect impress us so much and let us feel the power inside her body.
In my mind， though a person's beauty on the face can make others once feel that one is attractive and charming， if his or her mind isn't the same beautiful as the appearance， such as beauty cannot last for， when others find that the beauty which had charmed them was only a falsity， it's not true， they will like the person no more. For a long time， only a person's GREat virtue， a noble soul， a beautiful heart can be called as AN EVERLASTING BEAUTY， just as Kahill Gibran has said， that 'Beauty is a heart enflamed and a soul enchanted’。 I can feel that how beauty really is， as we are all fleshly men， so we can't distinguish whether a man is of nobleness or humbleness， but fleshly men， so we can't distinguish whether a man is of nobleness or humbleness， but as there are great differences in our souls， and from that， we can know that whether a man is noble or ordinary， and even obscure， that is， whether he is beautiful or not.
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